APL Recommends

Books from our Booklists

Classics - American

Cover of the book The adventures of Augie March
By Saul Bellow ; introduction by Christopher Hitchens.
Augie March is a Jewish-American boy growing up fatherless and poor in Depression-era Chicago. He seeks a "special destiny," although his circumstances seem to position him for a uniquely disappointing life: his family consists of a simple-minded mother, a brother and "grandmother" who prove to be Machiavellian in their intentions, and an "idiot" youngest brother, Georgie.
Cover of the book The age of innocence
By Edith Wharton ; with an introduction by Peter Washington.
The Age of Innocence, one of Edith Wharton's most renowned novels and the first by a woman to win the Pulitzer Prize, exquisitely details the struggle between love and responsibility through the experiences of men and women in Gilded Age New York.
Cover of the book All the king's men
By Robert Penn Warren ; with a foreword to the fiftieth anniversary edition by Joseph Blotner.
Set in the '30s, this Pulitzer Prize-winning novel traces the rise and fall of demagogue Willie Stark, a fictional character who resembles the real-life Huey "Kingfish" Long of Louisiana. Stark begins his political career as an idealistic man of the people but soon becomes corrupted by success and caught between dreams of service and an insatiable lust for power. The model for 1996's best-selling novel, Primary Colors, and as relevant today as it was fifty years ago, All the King's Men is one of the classics of American literature.
Cover of the book Babbitt
By Sinclair Lewis ; with an introduction by Richard Lingeman ; notes by Harold Bush.
"In the fall of 1920, Sinclair Lewis began a novel set in a fast-growing city with the heart and mind of a small town. For the center of his cutting satire of American business he created the bustling, shallow, and myopic George F. Babbitt, the epitome of middle-class mediocrity. The novel cemented Lewis's prominence as a social commentator." From the bookjacket.
Cover of the book Beloved : a novel
By by Toni Morrison ; [with a new foreword by the author].
Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement. After the Civil War ends, Sethe longingly recalls the two-year-old daughter whom she killed when threatened with recapture after escaping from slavery 18 years before.
Cover of the book Black boy : (American hunger) : a record of childhood and youth
By Richard Wright ; with an introduction by Jerry W. Ward, Jr.
The author relates his life as an African American growing up in the South during the Jim Crow years.
Cover of the book The Caine mutiny : a novel of World War II
By by Herman Wouk ; with an introduction by Noël A. Daigle.
A combat-weary, paranoic Captain Queeg loses his nerve during a typhoon and is relieved of command by his first officer.
Cover of the book Catch-22 : a novel
By by Joseph Heller.
Presents the contemporary classic depicting the struggles of a U.S. airman attempting to survive the lunacy and depravity of a World War II base.
Cover of the book The catcher in the rye
By J.D. Salinger.
Holden Caulfield, knowing he is to be expelled from school, decides to leave early. He spends three days in New York City and tells the story of what he did and suffered there.
Cover of the book Death comes for the archbishop ...
By
In 1851 French Bishop Latour and his friend Father Valliant are despatched to New Mexico to reawaken its slumbering Catholicism. Moving along the endless prairies, Latour spreads his faith the only way he knows-- gently, although he must contend with the unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Over nearly 40 years, they leave converts and enemies, crosses, and occasionally ecstasy in their wake. But it takes a death for them to make their mark on the landscape forever.
Cover of the book A death in the family
By James Agee.
On a sultry summer night in 1915, Jay Follet leaves his house in Knoxville, Tennessee, to tend to his father, whom he believes is dying. The summons turns out to be a false alarm, but on his way back to his family, Jay has a car accident and is killed instantly, leaving his wife, brother, and young son to deal with his sudden death.
Cover of the book East of Eden
By John Steinbeck.
This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families--the Trasks and the Hamiltons--whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.
Cover of the book Farewell, my lovely
By Raymond Chandler.
Moose Malloy, a six-foot-five giant just out of prison, gets detective Philip Marlowe involved in his seemingly hopeless search for Velma, his missing girlfriend.
Cover of the book A farewell to arms
By Ernest Hemingway.
By turns romantic and harshly realistic, Hemingway's story of a tragic romance set against the brutality and confusion of World War I cemented his fame as a stylist and as a writer of extraordinary literary power. A volunteer ambulance driver and a beautiful English nurse fall in love when he is wounded on the Italian front. The best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Hemingway's frank portrayal of the love between Lieutenant Henry and Catherine Barkley, caught in the inexorable sweep of war, glows with an intensity unrivaled in modern literature, while his description of the German attack on Caporetto -- of lines of fired men marching in the rain, hungry, weary, and demoralized -- is one of the greatest moments in literary history. A story of love and pain, of loyalty and desertion, A Farewell to Arms, written when he was 30 years old, represents a new romanticism for Hemingway.
Cover of the book For whom the bell tolls
By Ernest Hemingway.
An American learns the true value of life while fighting with a guerrilla band during the Spanish Civil War.
Cover of the book Go tell it on the mountain
By James Baldwin.
Describes a day in the life of several members of a Harlem fundamentalist church. The saga of three generations of people is related through flashbacks.
Cover of the book The grapes of wrath
By John Steinbeck.
The Grapes of Wrath is a landmark of American literature. A portrait of the conflict between the powerful and the powerless, of one man's fierce reaction to injustice, and of one woman's stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. Although it follows the movement of thousands of men and women and the transformation of an entire nation, The Grapes of Wrath is also the story of one Oklahoma family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. First published in 1939, The Grapes of Wrath summed up its era in the way that Uncle Tom's Cabin summed up the years of slavery before the Civil War. Sensitive to fascist and communist criticism, Steinbeck insisted that: The Battle Hymn of the Republic be printed in its entirety in the first edition of the book-which takes its title from the first verse: He is trampling out the vintage where the grapes of wrath are stored. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck's fictional chronicle of the Dust Bowl migration of the 1930's is perhaps the most American of American Classics.
Cover of the book The heart is a lonely hunter
By Carson McCullers.
When she was only twenty-three, Carson McCullers's first novel created a literary sensation. She was very special, one of America's superlative writers who conjures up a vision of existence as terrible as it is real, who takes us on shattering voyages into the depths of the spiritual isolation that underlies the human condition. This novel is the work of a supreme artist, Carson McCullers's enduring masterpiece. The heroine is the strange young girl, Mick Kelly. The setting is a small Southern town, the cosmos universal and eternal. The characters are the damned, the voiceless, the rejected. Some fight their loneliness with violence and depravity, Some with sex or drink, and some -- like Mick -- with a quiet, intensely personal search for beauty.
Cover of the book The house of the seven gables
By Nathaniel Hawthorne ; introduction by Mary Oliver.
The curse of Mathew Maule descends on seven generations of the inhabitants of an old New England house.
Cover of the book Invisible man
By Ralph Ellison.
A Black man's search for success and the American dream leads him out of college to Harlem and a growing sense of personal rejection and social invisibility.
Cover of the book The jungle : the uncensored original edition
By by Upton Sinclair.
The horrifying conditions in the meatpacking industry in the early 1900's are revealed through the experiences of immigrants as they try to make a living by working in the Chicago stockyards.
Cover of the book Look homeward, angel : a story of the buried life
By by Thomas Wolfe ; with an introduction by Maxwell E. Perkins.
An elaborate and moving coming-of-age story about Eugene Gant, a restless and energetic character whose passion to experience life takes him from his small, rural hometown in North Carolina to Harvard University and the city of Boston. The novel's pattern is artfully simple--a small town, a large family, high school and college--yet the characters are monumental in their graphic individuality and personality.
Cover of the book Main street
By Sinclair Lewis ; with a new introduction by Thomas Mallon.
A novel of life in a quiet Midwestern town exposes the complacency and hypocrisy there.
Cover of the book Moby Dick
By by Herman Melville ; edited and with an introduction by Charles Child Walcutt.
A classic of the sea, telling of the pursuit of Moby Dick, the white whale who defied capture.
Cover of the book Native son,
By by Richard Wright.
Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Richard Wright's novel is just as powerful today as when it was written -- in its reflection of poverty and hopelessness, and what it means to be black in America.
Cover of the book On the road
By Jack Kerouac ; introduction by Ann Charters.
Follows the counterculture escapades of members of the Beat generation as they seek pleasure and meaning while traveling coast to coast. As he travels across 1950s America, aspiring writer Sal Paradise chronicles his escapades with the charismatic Dean Moriarty. Sal admires Dean's passion for experiencing as much as possible of life and his wild flights of poetic fancy.
Cover of the book One flew over the cuckoo's nest
By Ken Kesey ; with illustrations and a new introduction by the author ; text introduction by Robert Faggen.
Boisterous, ribald, and ultimately shattering, Kesey's work is the seminal novel of the 1960s that has left an indelible mark on literature. Here is the unforgettable story of a mental ward and its inhabitants, especially the tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her.
Cover of the book The portrait of a lady
By Henry James ; edited with an introduction by Geoffrey Moore and notes by Patricia Crick.
Cover of the book Rabbit, run
By John Updike.
Twenty-two-year-old Rabbit Angstrom is a salesman in a local department store, father of a preschool-age son, and husband to an alcoholic wife who was his second-best high school sweetheart. The squalor and tragedy of their lives reminds us that salvation is a personal undertaking.
Cover of the book The scarlet letter : a romance
By Nathaniel Hawthorne ; with an introduction by Nina Baym and notes by Thomas E. Connolly.
A young woman, publicly scorned for bearing an illegitimate child, refuses to be vanquished by the seventeenth-century Boston community.
Cover of the book Sister Carrie
By Theodore Dreiser ; with a new introduction by Richard Lingeman.
From the day of its troubled publication in 1900 to its inclusion in Modern Library's list of Top 100 Novels of the 20th Century, "Sister Carrie" has been a source of controversy and debate. Regarded as the "first masterpiece of the American naturalist movement," this 100th Anniversary Edition of the classic includes material by the author and a new introduction by the definitive Dreiser biographer.
Cover of the book The sound and the fury
By William Faulkner.
First published in 1929, Faulkner created his "heart's darling," the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers--the idiot Benjy, the neurotic suicidal Quentin and the monstrous Jason. From the Trade Paperback edition. The novel reveals the story of the disintegration of the Compson family, doomed inhabitants of Faulkner's mythical Yoknapatawpha County, through the interior monologues of the idiot Benjy and his brothers, Quentin and Jason.
Cover of the book Their eyes were watching God
By Zora Neale Hurston ; with a foreword by Edwidge Danticat and an afterword by Henry Louis Gates, Jr.
A novel about black Americans in Florida that centers on the life of Janie and her three marriages.
Cover of the book To kill a mockingbird
By Harper Lee.
A young girl growing up in an Alabama town in the 1930s learns of injustice and violence when her father, a widowed lawyer, defends a black man falsely accused of rape.
Cover of the book Wise blood
By Flannery O'Connor.
The passengers on the train to Taulkinham show mixed reactions when Haze questions their belief in Jesus.

APL Recommends Blog

Monday, May 20

I was reading movie critic David Thomson’s latest, The Big Screen: The Story of the Movies (2012), and enjoying it so much that I checked out a bunch more of his books including The Whole Equation: A History of Hollywood, but after a few pages of that one, I decided I'd had enough of Thomson's style for now. Maybe another time.

But I did get past the dedication page, and near it are some quotations from people involved in making movies, one of them Gore Vidal, who said “Find out the movies a man saw between ten and fifteen, which ones he liked, disliked, and you would have a pretty good idea of what sort of mind and temperament he has.” I’m sure Vidal meant women, too, so I checked Wikipedia (sorry library gods) for lists of movies made from 1966 through 1971, the years I turned 10 and 15.

My first revelation was that I don’t remember seeing many first-run movies before 1968. I must have, but the earliest, and one of the few that sticks, is Goldfinger, 1964, and I remember it not for gold lamé nudity, but for my sister and me in our jammies in the back of the car trying to sneak a peek at the drive-in screen through the bucket seats of my dad’s Grand Prix. I better remember watching old movies on our tiny Zenith portable TV with a wire hangar antenna, pliers for changing the channel, and a green-tinted screen, and I remember the jingle from KNXT in Los Angeles:

The Late Show / Relax enjoy a snack and watch / The Late Show / Channel 2 is proud to bring the greatest of stars / Here on the great Late Show

(I wish I could link to the tune for you, but it’s nowhere. If you come to the library and ask for me, I'll sing it to you, if you have a library card.)

Late-night movies in those days were beat-up prints from the 30s and 40s—the Marx Brothers, Abbott and Costello, Basil Rathbone as Sherlock, Fred and Ginger, Errol Flynn buckling swash, Hope and Crosby, Dean and Jerry, and Bogie. Those movies affected my development; I freely admit I am a Marxist. But doing this exercise made me realize that until 1968 I was either too young, too broke, or too dumb to pay attention to new releases. After 1968 is a different story.

NEXT: Lists of movies. And don’t we all love those?

Saturday, May 18

Many of you may know that this year is the 200th anniversary of the publication of Pride and Prejudice.  Austen wrote the novel in 1797-98, originally calling it First Impressions.  Her father attempted to have it published, but the manuscript was rejected.  It was not until her first novel, Sense and Sensibility was published in 1812 that Pride and Prejudice was accepted.  By that time, another author had published their novel called First Impressions.  Austen found another title for her book from a quote in fellow female author Fanny Burney’s novel, Cecila.  Thus Pride and Prejudice was born.   The novel was an instant success and has proved to be her most popular novel.

While we know much about her life from records and her own letters, there are aspects of her life of which we know nothing because her sister destroyed letters after the author’s death in 1817 in order to protect family privacy.  Scholars and authors can only speculate what the subjects of those letters were and what dimensions they could have added to our understanding of Jane Austen.  

By Jane Austen:

Jane Austen's Letters by Jane Austen

Pride and Prejudice: An Annotated Edition by Jane Austen

Pride and Prejudice (DVD) Miniseries starring Colin Firth

Based on Jane Austen:

Pride and Prejudice and Zombies: The Classic Regency Romance -- Now with Ultraviolent Zombie Mayhem! by Seth Grahame-Smith

The Pemberley Chronicles: A Companion Volume to Jane Austen's Pride and Prejudice by Rebecca Ann Collins

Mr. Darcy, Vampyre by Amanda Grange

Lost in Austen (DVD) Miniseries starring Jemima Rooper

Pride and Prescience, Or, A Truth Universally Acknowledged: A Mr. and Mrs. Darcy Mystery by Carrie Bebris

 

 

 

Friday, May 17

The Twitter feed “Fake Library Stats” recently tweeted “After complaining the pituitary glands of 63% of librarians secrete a hormone that is necessary to keep them alive.” Sure, there’s a stereotype that we librarians like to complain but we can also be overwhelmingly positive when it comes to resources we offer. And I’m about to be super positive about the fact that I just read a library book and did not enjoy it at all.

The Library’s Graphic Novel Book Club just finished reading and discussing Yuichi Yokoyama’s Garden. In Garden, a large group of people with strange masks and costumes on explore a strange garden and describe what they see in terse sentences. That goes on for 300 pages in which none of the characters are developed and nothing really happens in a conventional plot kind of way. As a result, I was feeling nervous before the meeting. I couldn’t think of a single productive thing to say about it. Worse, I was reminded of a frustrating, non-library book club meeting I’d attended to discuss Haruki Murakami’s Kafka on the Shore in which most participants could only comment on the weirdness of the novel. Was that going to be me?! After finishing the reading all I could think was, “Huh. Well. I just don’t . . . What?! I don’t get it. It’s weird.” Neither articulate nor a good way to start a conversation.  I felt like I was missing something. But this is one of the best things to happen to a book club because it this case everyone felt the same way and was more than willing to talk about how much they disliked the reading experience and why. It turns out this makes for a much more fruitful conversations than when everyone unanimously enjoys a book. In those cases all you can do is say, “yeah, it was good. I liked the art and the characters and the story. Yup.”

I’m willing to consider the possibility that I really just didn’t get it. So give it a try for yourself and see! Maybe ask some friends to read it too. It might result in a heated debate if one of you loves it. Or, you might just have a pleasant time complaining about how annoying it was. Either way is pretty fun. 

Side note: Graphic Novel Book Club is free and open to the public. We meet on the third Wednesday of every month at Jo's Coffee Downtown and you can find our reading list on the Events page of the Library's website. 

Thursday, May 16

The 2010 novel Anthill is a fictional account of an Alabama backwoods boy who grows up to be a Harvard lawyer fighting to save the woodlands of his childhood, the West Nokobee Tract at the edge of William Ziebach National Forest. It is a privately owned tract of longleaf pine savanna. It becomes his secret place and he bicycles into it every chance he gets to escape his parent's troubled marriage. The woodlands and the national forest are fictional but the ecology is not. Longleaf pine forests are the most diverse ecosystem in North America, with 500 species per square kilometer. In the novel, the eminent Harvard biologist  E.O. Wilson tells a southern coming-of-age story while persuading Americans, and especially Southerners, to protect our vanishing natural environment and wildlife.

E.O Wilson also wrote the forward to Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest which offers 11 essays on these forests, including numerous photographs that cultivate appreciation for the beauty of the tree itself; of the unique species it supports; and of the breathtaking landscape it creates.

Longleaf pine savanna is one of the only ecosystems that is both forest and meadow. The book reveals this dynamic system in panoramic images of golden light filtering through trees and illuminating long grasses beneath. And there's no shortage of close-ups.  Longleaf was once so common that it was hardly remarked upon, and ecologists are only now beginning to understand the forest that once covered 90 million acres of North America and now covers only 3 million acres, some of it in Texas. The final sections of the book detail potential restoration solutions for the longleaf that remains. Longleaf is not a story of loss, but one of deep reverence for the grandeur and mystery of these regions.

Using your Austin Public Library card you can read both books together.

Wednesday, May 15

Summer time in Austin, Texas cannot be defined by the temperature outside. If it were, then we wouldn't have a Fall or Spring. Instead, universities, teachers, parents, and especially students define it by the months-long reprieve from the daily obligations of school.  Retailers and restauranteurs mark Summer as when the tourists come to town. For festival goers it is the time between SXSW and ACL. For myself, I like to honor its arrival by joining the Summer Reading Program at my neighborhood branch of the library. Because I continue to work full time during that period of the calendar I can't necessarily devote more time to reading. Therefore, I have adopted my own personal challenge. Each year I have a goal to use the summer months to try a genre I don't normally read. Last year it was graphic novels and the year prior was nonfiction. In doing so, I discovered that I rather enjoy graphic novels and that they include so much more than superheroes. I also learned that I mentally focus much better on nonfiction material when I listen to it rather than read it, especially when it's read by an enthusiastic and passionate author or actor. So far my favorite of these is Michael Pollan, most notably known for Omnivore’s Dilemma, and who has a new one out soon I look forward to trying. I haven't decided yet on this year's genre, but it will undoubtedly be a mind opening experience. The pretty great thing about APL is that no matter which subject matter or material type I choose, I will have tons of titles from which to pick. The other awesome thing about summer reading in Austin is being part of the Summer Reading Program. It is a great way to inspire kids to join the youth summer reading program and encourage people all over town to read by showing off your progress. I have seen whole families come in to pick out items they planned to read together. Now that makes me excited about summer!