The genocide trial of former Guatemalan dictator 
Efraín Rios Montt, the Army general who ruled Guatemala from 1982 to 1983, ended May 10 with a landmark conviction of genocide and crimes against humanity for the 1982 massacre of 1700 Ixil Mayan Indians who were considered sympathetic to left-wing guerrillas. The two-month trial echoed another dark episode from US-Latin American affairs - the 1954 CIA coup that deposed Guatemala's reformist President and later provoked the thirty-six-year Guatemalan Civil War. The new catalog list of Latin America Historical Fiction doesn’t have a fictional account of the Guatemalan civil war, but there is a remarkable collection of short stories, River of Lost Voices, that chronicles life in the impoverished Guatemalan towns of Santa Cruz and nearby Coban, both close to where the massacres took place. Another book on the list, Lost City Radio, is set in a fictional South American nation (Peru) where guerrillas have clashed with the government for years. The list of books begins with the 1500s and ends with a book set in Bogota, Bolivia in 2005. They are not all tales of violence. Try Gabriela Clove and Cinnamon to experience love in 1920s Brazil, or The News from Paraguay to learn about a country you may never have thought about. Mario Vargas Llosa has four books on the list, and two are my favorites. The Green House is an epic of life in Peru in the 1950s and Aunt Julia and the Scriptwriter is an unforgettable semi-autobiographical novel.
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Books from our Booklists
Historical Fiction: 15th - 17th Centuries
By Irving Stone.
Dramatizes the life of the Renaissance artistic genius Michelangelo, recalls his love affairs, his disputes with cardinals and popes, and his years of working on the Sistine Chapel.
By Maria McCann.
Set during the 17th century English revolution, Jacob Cullen flees his wedding to avoid murder charges only to join Cromwell's army where he begins a relationship with Christopher and togther they try and begin a farming colony.
By Sarah Dunant.
Alessandra Cecchi is not quite fifteen when her father, a prosperous merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family's Florentine palazzo.
By Geraldine Brooks.
Once again, the author takes a remarkable shard of history and brings it to vivid life. In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, she has created a luminous tale of love and faith, magic and adventure. The narrator of the story is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex. As often as she can, she slips away to explore the island's glistening beaches and observe its native Wampanoag inhabitants. At twelve, she encounters Caleb, the young son of a chieftain, and the two forge a tentative secret friendship that draws each into the alien world of the other. Bethia's minister father tries to convert the Wampanoag, awakening the wrath of the tribe's shaman, against whose magic he must test his own beliefs. One of his projects becomes the education of Caleb, and a year later, Caleb is in Cambridge, studying Latin and Greek among the colonial elite. There, Bethia finds herself reluctantly indentured as a housekeeper and can closely observe Caleb's crossing of cultures. Like the author's beloved narrator Anna, in Year of Wonders, Bethia proves an emotionally irresistible guide to the wilds of Martha's Vineyard and the intimate spaces of the human heart.
By Neal Stephenson.
Eliza, Countess de la Zeur, master of markets, pawn and confident of enemy kings, one-time Turkish harem girl, is stripped of her immense personal fortune by France's most dashing privateer.
By José Saramago ; translated from the Portuguese by Margaret Jull Costa.
"The enchanting tale of an elephant, his keeper, and their journey through sixteenth-century Europe, based on a true story." (from the back cover).
By Margaret George.
Elizabeth's rival for the love of Robert Dudley, Earl of Leicester, and mother to the Earl of Essex, the mercurial nobleman who challenged Elizabeth's throne, Lettice Knollys had been intertwined with Elizabeth since childhood. They are both women of fierce intellect and desire: one trying to protect her country, and throne, the other trying to regain power and position for her family and each vying to convince the reader of her own private vision of the truth.
By Tracy Chevalier.
A maid becomes a model for the 17th century Dutch painter, Vermeer. The woman, an artisan's daughter with a strong power of observation, describes his manner of work, his household and life of the day, including the rigid class system and religious bigotry. A debut in fiction.
By Iain Pears.
A novel on the way we interpret events to suit our purpose. The protagonists are four people giving evidence in a murder in 17th century England. One blames the crime on too much authority, another on the lack of it. A look at the controversies of the day, from medical experiments to religious freethinking.
By by James Clavell.
Shipwrecked English adventurer, John Blackthorn, finds himself a key figure in a vast power struggle that is to plunge medieval Japan into civil war. Set in the exotic world of Oriental intrigue, passions, discipline, courage, and rigid moral and martial codes.
By David Mitchell.
1799, Dejima in Nagasaki Harbor. Jacob de Zoet, a devout and resourceful young clerk, has a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city's powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken--the consequences of which will extend beyond Jacob's worst imaginings.
By Hilary Mantel.
Assuming the power recently lost by the disgraced Cardinal Wolsey, Thomas Cromwell counsels a mercurial Henry VIII on the latter's efforts to marry Anne Boleyn against the wishes of Rome, a successful endeavor that comes with a dangerous price.
By Geraldine Brooks.
This gripping historical novel is based on the true story of Eyam, the "Plague Village," in the rugged mountain spine of England. In 1666, a tainted bolt of cloth from London carries bubonic infection to this isolated settlement of shepherds and lead miners. A visionary young preacher convinces the villagers to seal themselves off in a deadly quarantine to prevent the spread of disease. The story is told through the eyes of eighteen-year-old Anna Frith, the vicar's maid, as she confronts the loss of her family, the disintegration of her community, and the lure of a dangerous and illicit love. As the death toll rises and people turn from prayers and herbal cures to sorcery and murderous witch-hunting, Anna emerges as an unlikely and courageous heroine in the village's desperate fight to save itself.
APL Recommends Blog
Thursday, May 23
by: carolyn.rogers
Monday, May 20
by: dean.smith
I was reading movie critic David Thomson’s latest, The Big Screen: The Story of the Movies (2012), and enjoying it so much that I checked out a bunch more of his books including The Whole Equation: A History of Hollywood, but after a few pages of that one, I decided I'd had enough of Thomson's style for now. Maybe another time.
But I did get past the dedication page, and near it are some quotations from people involved in making movies, one of them Gore Vidal, who said “Find out the movies a man saw between ten and fifteen, which ones he liked, disliked, and you would have a pretty good idea of what sort of mind and temperament he has.” I’m sure Vidal meant women, too, so I checked Wikipedia (sorry library gods) for lists of movies made from 1966 through 1971, the years I turned 10 and 15.
My first revelation was that I don’t remember seeing many first-run movies before 1968. I must have, but the earliest, and one of the few that sticks, is Goldfinger, 1964, and I remember it not for gold lamé nudity, but for my sister and me in our jammies in the back of the car trying to sneak a peek at the drive-in screen through the bucket seats of my dad’s Grand Prix. I better remember watching old movies on our tiny Zenith portable TV with a wire hangar antenna, pliers for changing the channel, and a green-tinted screen, and I remember the jingle from KNXT in Los Angeles:
The Late Show / Relax enjoy a snack and watch / The Late Show / Channel 2 is proud to bring the greatest of stars / Here on the great Late Show
(I wish I could link to the tune for you, but it’s nowhere. If you come to the library and ask for me, I'll sing it to you, if you have a library card.)
Late-night movies in those days were beat-up prints from the 30s and 40s—the Marx Brothers, Abbott and Costello, Basil Rathbone as Sherlock, Fred and Ginger, Errol Flynn buckling swash, Hope and Crosby, Dean and Jerry, and Bogie. Those movies affected my development; I freely admit I am a Marxist. But doing this exercise made me realize that until 1968 I was either too young, too broke, or too dumb to pay attention to new releases. After 1968 is a different story.
NEXT: Lists of movies. And don’t we all love those?
Saturday, May 18
Many of you may know that this year is the 200th anniversary of the publication of Pride and Prejudice. Austen wrote the novel in 1797-98, originally calling it First Impressions. Her father attempted to have it published, but the manuscript was rejected. It was not until her first novel, Sense and Sensibility was published in 1812 that Pride and Prejudice was accepted. By that time, another author had published their novel called First Impressions. Austen found another title for her book from a quote in fellow female author Fanny Burney’s novel, Cecila. Thus Pride and Prejudice was born. The novel was an instant success and has proved to be her most popular novel.
While we know much about her life from records and her own letters, there are aspects of her life of which we know nothing because her sister destroyed letters after the author’s death in 1817 in order to protect family privacy. Scholars and authors can only speculate what the subjects of those letters were and what dimensions they could have added to our understanding of Jane Austen.
By Jane Austen:
Jane Austen's Letters by Jane Austen
Pride and Prejudice: An Annotated Edition by Jane Austen
Pride and Prejudice (DVD) Miniseries starring Colin Firth
Based on Jane Austen:
Mr. Darcy, Vampyre by Amanda Grange
Lost in Austen (DVD) Miniseries starring Jemima Rooper
Friday, May 17
by: betsey.blanche
The Twitter feed “Fake Library Stats” recently tweeted “After complaining the pituitary glands of 63% of librarians secrete a hormone that is necessary to keep them alive.” Sure, there’s a stereotype that we librarians like to complain but we can also be overwhelmingly positive when it comes to resources we offer. And I’m about to be super positive about the fact that I just read a library book and did not enjoy it at all.
The Library’s Graphic Novel Book Club just finished reading and discussing Yuichi Yokoyama’s Garden. In Garden, a large group of people with strange masks and costumes on explore a strange garden and describe what they see in terse sentences. That goes on for 300 pages in which none of the characters are developed and nothing really happens in a conventional plot kind of way. As a result, I was feeling nervous before the meeting. I couldn’t think of a single productive thing to say about it. Worse, I was reminded of a frustrating, non-library book club meeting I’d attended to discuss Haruki Murakami’s Kafka on the Shore in which most participants could only comment on the weirdness of the novel. Was that going to be me?! After finishing the reading all I could think was, “Huh. Well. I just don’t . . . What?! I don’t get it. It’s weird.” Neither articulate nor a good way to start a conversation. I felt like I was missing something. But this is one of the best things to happen to a book club because it this case everyone felt the same way and was more than willing to talk about how much they disliked the reading experience and why. It turns out this makes for a much more fruitful conversations than when everyone unanimously enjoys a book. In those cases all you can do is say, “yeah, it was good. I liked the art and the characters and the story. Yup.”
I’m willing to consider the possibility that I really just didn’t get it. So give it a try for yourself and see! Maybe ask some friends to read it too. It might result in a heated debate if one of you loves it. Or, you might just have a pleasant time complaining about how annoying it was. Either way is pretty fun.
Side note: Graphic Novel Book Club is free and open to the public. We meet on the third Wednesday of every month at Jo's Coffee Downtown and you can find our reading list on the Events page of the Library's website.
Thursday, May 16
by: carolyn.rogers
The 2010 novel Anthill is a fictional account of an Alabama backwoods boy who grows up to be a Harvard lawyer fighting to save the woodlands of his childhood, the West Nokobee Tract at the edge of William Ziebach National Forest. It is a privately owned tract of longleaf pine savanna. It becomes his secret place and he bicycles into it every chance he gets to escape his parent's troubled marriage. The woodlands and the national forest are fictional but the ecology is not. Longleaf pine forests are the most diverse ecosystem in North America, with 500 species per square kilometer. In the novel, the eminent Harvard biologist E.O. Wilson tells a southern coming-of-age story while persuading Americans, and especially Southerners, to protect our vanishing natural environment and wildlife.
E.O Wilson also wrote the forward to Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest which offers 11 essays on these forests, including numerous photographs that cultivate appreciation for the beauty of the tree itself; of the unique species it supports; and of the breathtaking landscape it creates.
Longleaf pine savanna is one of the only ecosystems that is both forest and meadow. The book reveals this dynamic system in panoramic images of golden light filtering through trees and illuminating long grasses beneath. And there's no shortage of close-ups. Longleaf was once so common that it was hardly remarked upon, and ecologists are only now beginning to understand the forest that once covered 90 million acres of North America and now covers only 3 million acres, some of it in Texas. The final sections of the book detail potential restoration solutions for the longleaf that remains. Longleaf is not a story of loss, but one of deep reverence for the grandeur and mystery of these regions.
Using your Austin Public Library card you can read both books together.
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By Tom Angleberger ; [illustrations by Tom Angleberger and Jason Rosenstock].
2012 Texas Bluebonnet Award Winner
Sixth-grader Tommy and his friends describe their interactions with a paper finger puppet of Yoda, worn by their weird classmate Dwight, as they try to figure out whether or not the puppet can really predict the future. Includes instructions for making Origami Yoda.
